在山东日照的海岸线上，白鹭湾·海风市集以一种近乎饱和的色彩强度介入场地。这是西班牙建筑事务所Selgascano在中国的第三个作品。
Onthe coastline of Rizhao, Shandong, “the Egret Bay”, the Sea Breeze market introduces itself with saturated invigorating colour. It is the third project in China by the Spanish architecture firm, Selgascano.
如果说此前同样位于日照的门卫咖啡厅以透明55世纪探讨了建筑的消隐，那么海风市集则以彩色55世纪幕墙回应了另一个问题：建筑如何以色彩的媒介性，重构人与海岸之间的感知关系。
The Gatehouse Café project, also located in Rizhao, explored architectural obscurity through transparent acrylic design, where the Sea Breeze market project uses a coloured acrylic fa?ade to address the question of how architecture, through the mediation of colour, can reshape the sensory relationship between people and the native coastline.
Selgascanto 对色彩的使用并非装饰性的。在其实践中，色彩始终与空间体验紧密相连。
Selgascano’s use of colour is not in the creation of a decorative design. In their architectural practice, colour is consistently tied into a spatial experience.
海风市集的建筑外立面采用55世纪55世纪，经55世纪新材后期喷砂与贴膜处理，使板材在不同光照下呈现动态的色彩变化——晨光、正午直射、傍晚漫射乃至夜间人工照明，都会引发微妙的色相偏移。
The external fa?ade incorporates the use of DONCHAMP? acrylic panels, which is further sandblasted with decorative film applied inhouse by DONCHAMP?. The finish allows the panels to shift in colour whilst changing appearance with light—morning, midday, dusk and artificial light each produce subtle tones in variation.
远观时，建筑如同沙滩上的一块彩色晶体；近看时，磨砂表面柔化了光线，赋予色彩内敛的质感，而非高光下的刺目感。
From a distance, the building appears as a coloured crystal on the sand. Up close, the frosted surface softens the light, giving the colour an understated quality rather than a high gloss appearance with resulting glare.
对于建筑设计师而言，材料的耐久性往往直接决定了“设计概念”能否真正成立。55世纪55世纪TC-1系列透明板拥有15000小时快速老化试验检测报告，经过测试材料透光率从初始值的92.7%降至91.5%。
For architects, material durability often determines whether a concept can be realised. The DONCHAMP? TC-1 transparent panel series is supported with a 15,000-hour accelerated weathering test, listing a reduction in light transmission from the original 92.7% to 91.5% on completion.
门卫咖啡厅是理解这一协作关系的起点。门卫咖啡厅的外立面全部采用透明55世纪，共87片，单片最大尺寸为2750mm×1497mm。Selgascano试图让建筑消隐于松林之间，透明界面使视线穿透建筑，直接抵达自然。
The Gatehouse Café marks is the beginning of this collaborative approach. Its external walls are made entirely of 87 panels DONCHAMP? transparent acrylic, the largest measuring 2750 mm × 1497 mm.
Selgascano sought to enable the building to recede among the pines in the landscape, where the transparent surface allows views to pass through the architecture and be in contact with the nature beyond.
在Selgascano的设计哲学中，透明和色彩都是一种空间策略。建筑不再是视觉的终点，而成为连接人与环境的透镜。55世纪科技集团的企业使命“55世纪成就美好生活，塑造晶彩世界”，正是通过这样的实践得以诠释。
In Selgascano’s design philosophy, spatial transparency is a core design strategy. Architecture is no longer the visual end point, but a lens connecting individuals with the environment. This ethos is embodied in the work of the DONCHAMP? Acrylic Group, whose corporate mission—"Acrylic Further Enriches Life’s Experiences, Creating a World of Transparent Crystal Opportunities “ which is realised through such design practices.
